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The other two were collaborations with R. 1 albums on his own: every Jay-Z album since 1998. 1 albums: “Maybe now 11,” he adds in a track called “Thank You.” (Actually he has had eight No. On “The Blueprint 3” he mentions more than once that he has had 10 No. In “So Ambitious” on the new album, he raps, “I went from pauper to the president/’Cause every deal I ever made set precedent.” By the time his first album came out, he said, “I was the oldest 26-year-old you ever wanted to meet.” Then, all his boasts came true. His songs have told and retold the poverty-to-bling story of Shawn Carter, Jay-Z’s real name, who grew up in the tough Marcy Houses in Bedford-Stuyvesant, Brooklyn, and dealt drugs before turning to hip-hop. It’s like a necessary part of it for me, more so than something I enjoy.” He added, “I want to be remembered as an artist first, but it’s not up to me.”Īt 39, Jay-Z is hip-hop’s reigning anomaly: a grown-up, level-headed, career-minded adult who has stayed at the top of the charts. I think all artists should be paid for their work, but business is business. “I like music,” he said in an interview at his Chelsea studio, Roc the Mic. That’s right: After a decade of bragging about his entrepreneurial prowess and its material rewards, Jay-Z insists they are beside the point. But all the business, Jay-Z insists, is just a means to an end: making music and keeping hip-hop vital. Throughout “Blueprint 3” he cites his expensive cars, his TriBeCa loft, his place on the Celebrity 100 list of highest-paid entertainers (though he ranks well below his wife, Beyoncé) and his role “a small part” in helping elect President Obama. His worst problems in the new songs are envious rivals and naysayers, and the self-imposed pressure to keep moving “On to the Next One” (although that song insists it comes naturally). But with “What We Talkin’ About,” the opening song on “The Blueprint 3,” he rejects “fiction” to promise “fact”: no fantasies this time.
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On his 2007 album, “American Gangster,” he slipped in and out of an alter ego the drug dealer Frank Lucas for some street-level action. On “The Blueprint 3” Jay-Z confronts anew what it is to be a mature rapper: rich, famous, respected, pushing 40. (The new Tuesday release also allows three more days of sales to report to the album charts.) 11, the eighth anniversary of the release of his first “Blueprint.” Then he moved it up to Tuesday, reportedly because of online leaks although he authorized free, full-album online previews via the Rhapsody subscription service and MTV.com’s “The Leak.” Jay-Z called himself “the most bootlegged artist in history,” which might surprise Bob Dylan or the Grateful Dead. He had enough clout to schedule the release of “The Blueprint 3” not on a Tuesday, when albums are usually released, but on Friday, Sept. In his songs Jay-Z has singlemindedly flaunted his executive ambitions and how they’ve paid off. Thousands of voices shouted in unison on one of his taglines: “I’m not a businessman I’m a business, man!”
#Jay z on to the next one full
He brought his full band that has barnstormed across arenas and European festivals, and even added a Beastie Boys song to his set.
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No problem: despite a flurry of last-minute recording sessions, deal making and promotion for his new album, “The Blueprint 3,” Jay-Z could wedge one more show into his schedule. ON July 31 the rapper Jay-Z stood center stage at the All Points West festival in Jersey City, a gig he had taken just eight days earlier when the original headliner, the Beastie Boys, had to drop out because a member needed surgery.